Bayon Temple

Exploring the Bayon Temple


Exploring the Bayon Temple can be quite tough on the knees as the tour involves lots of narrow corridors, steep flights of stairs and towers. Depending on your pace, it takes about 30-40 minutes to see all of it. As one of the most popular structures in the area and a feature of virtually all tours – whether organised or independent – bits of it can get a little crowded. The ruins are big enough that you can always find somewhere cool and quiet to explore, though.

Bayon is rich in decoration, and the bas-reliefs on the exterior walls of the lower level and on the upper level are outstanding. Those on the southern wall are of scenes from a sea battle between the Khmer and the Cham. However, it is not known if they represent the Cham invasion of 1177AD, or a later victorious battle for the Khmer. There are also interesting and extensive carvings of scenes from everyday life, including market scenes, religious rituals, cockfighting, chess games and childbirth. Of note are the unfinished carvings on some walls, which were probably not finished due to the death of Jayavarman VII.

Design of the Bayon Temple


When it comes to the many faces, there is some debate over who they actually represent. Some scholars suggest that they are of King Jayavarman VII while other theories that they are the face of a Bodhisattva (Buddhism's compassionate and enlightened being), or a combination of Buddha and Jayavarman. The Bayon Temple was constructed as Jayavarman VII's state-temple, and it represents the height of his massive building programme.

Subsequently, Bayon underwent several additions and modifications under later kings, and some of the bas-reliefs on the inner walls were carved at a later date under the Hindu king Jayavarman VIII. The terrace to the east of the temple, the libraries, the square corners of the inner gallery and parts of the upper terrace appear to be additions that were not part of the original structure.

Since the Bayon Temple was constructed in stages over a span of many years, it appears to be a bit of an architectural jumble. When seen from a distance, it can seem like a rather formless jumble of stone, while the interior is a maze of galleries, towers and passageways on the three different levels. The best time for photographs is when the sun is rather low, near sunrise and sunset, as this brings out the detail in the bas-reliefs. 

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